Shakespeare, Race, and Colonialism
by Loomba, Ania
Series: Oxford Shakespeare topics Published by : Oxford University Press (New York) Physical details: xii,192 Pages 13x20 cm | PB ISBN:0198711743.Item type | Current location | Collection | Call number | Status | Date due | Barcode |
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General Stacks | Non-fiction | 822.33 L863S 2002 (Browse shelf) | Available | 16659 |
Browsing Garrison Public Library Multan Shelves , Shelving location: General Stacks , Collection code: Non-fiction Close shelf browser
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822.33 H918M 1997 Much Ado About Nothing | 822.33 H968P 2006 Politics and Genre in "Hamlet" | 822.33 L213T 2001 Tales From Shakespeare | 822.33 L863S 2002 Shakespeare, Race, and Colonialism | 822.33 P962S 1981 Shakespeare's Anonymous Editors : Scribe and Compositor in the Folio Text of 2 Henry IV | 822.33 R628J 1960 Julius Caesar : Notes | 822.33 S5241A 1994 Antony and Cleopatra |
A great postcolonial reading of Shakespeare.
Not only was it very useful for my research on Antony and Cleopatra and The Tempest through a postcolonial lens, but also a very enjoyable thorough analysis of these plays, both in terms of historical context and postcolonial theory.
Include, Illustrations, Notes, Suggestions for Further Reading and Index.
Did Shakespeare and his contemporaries think at all in terms of "race"? Examining the depiction of cultural, religious, and ethnic difference in Shakespeare's plays, Ania Loomba considers how seventeenth-century ideas differed from the later ideologies of "race" that emerged during colonialism, as well as from older ideas about barbarism, blackness, and religious difference. Accessible yet nuanced analysis of the plays explores how Shakespeare's ideas of race were shaped by beliefs about color, religion, nationality, class, money and gender.
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