The Pity of Partition : Manto's Life, Times, and Work Across the India-Pakistan Divide
by Ayesha Jalal
Edition statement:1st Published by : Oxford University Press (Karachi) Physical details: xv,268 Pages 14x22 cm | HB ISBN:9780199067343. Year: 2015Item type | Current location | Collection | Call number | Status | Date due | Barcode |
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General Stacks | Non-fiction | 891.43936 A976P 2015 (Browse shelf) | Available | 33640 |
Browsing Garrison Public Library Multan Shelves , Shelving location: General Stacks , Collection code: Non-fiction Close shelf browser
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891.4393104 K451I 2003 Intekhab-e-Wali Dakni (Ghazliat) | 891.43933 M671T 1994 A Tale of Four Dervishes (Bagh-o-Bahar) | 891.43936 A976M 2012 Manto | 891.43936 A976P 2015 The Pity of Partition : Manto's Life, Times, and Work Across the India-Pakistan Divide | 891.43936 M266M 2016 My Name is Radha : The Essential Manto | 891.43937 I611C 2012 Circle and Other Stories | 891.43937 I611U 1987 An Unwritten Epic and Other Stories |
Manto's Life, Times, and Work Across the India-Pakistan Divide.
Include Notes, Bibliography and Index.
Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short stories he wrote following his migration to Lahore in newly formed Pakistan. Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. In The Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.
Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.
The first in-depth look in English at this influential literary figure, The Pity of Partition demonstrates the revelatory power of art in times of great historical rupture.
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